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Another example I can think of is an email I received from Nintendo recently marketing Dread as “Seamus’s first new 2D adventure in 19 years.” They could just as easily have said, “Samus’s first new adventure in 10 years”, which would have included Other M.

Mon 20th Sep Totally see the connection.īigger-picture wise, it seems really deliberate to leave Other M out of the marketing strategy for this game.

Minako Hamano and Kenji Yamamoto gave the original’s soundtrack their own touch. METROID: ZERO MISSION was developed by Nintendo R&D1, with Yoshio Sakamoto reprising his role as director. It’s a poster child for what a remake can and should be. While the general layout of the game world has been preserved, the levels themselves have all been redesigned to account for Samus’ new abilities and movesets. The audio benefits from the GBA’s cinematic sample-based sounds paired with its 8-bit audio, retaining some of the original’s moody style, especially in the title theme.

All of this is presented in gorgeous, highly-detailed pixel art and brought up to contemporary visual standards. Wall Jumps, ledge-grabbing, diagonal aiming, key abilities and weapons, and more are enhancing Samus’ groundbreaking first mission. METROID: ZERO MISSION, released on the Game Boy Advance in 2003, brings all the modern conveniences and features from the latest titles in the series to the original game. Armed with nothing but a pistol and her wits, Samus has to make her way out of another Space Pirate base and find some means to escape Zebes once and for all. Find out what Samus is truly capable of when her ship gets shot down again by Space Pirates during her encounter with Mother Brain, causing her to lose her suit and all her equipment. Samus Aran’s first mission on planet Zebes to take on the Space Pirates and the Mother Brain is being retold with a newly-added epilogue. Experience the origin of the series that started a whole genre.